陈虹艺术简历：

　　陈虹，生于新疆伊犁，毕业于新疆艺术学院国画系，研修于西安美术学院国画系，2007年结业于中国美术家协会高研班，2008年于国家画院周韶华工作室精英班结业。中国美术家协会会员，中国山水画研究院副秘书长。

　　2003年，作品《金秋》获第三届中国书画艺术华表奖大赛优秀奖。

　　2003年，作品《红樱桃》在澳门中国画展获银奖。

　　2004年，作品《春晓》参加“纪念邓小平100周年”美术作品展获银奖。

　　2006年，作品《金秋家园》参加2006年全国中国画展入选。

　　2006年，作品《金秋》参加“纪念中国美术大师李苦禅诞辰100周年”全国中国画展。

　　2007年，作品《秋韵》参加全国中国画展获优秀奖。

　　2007年，作品《我言秋日胜春潮》获中国美协高研班作品展优秀奖，并刊登在第9期《美术》杂志。

　　2007年，作品《想见故园蔬果好》参加全国工笔重彩作品展入选。

　　2007年，作品《在望》参加全国首届中国画线描展入选。

　　2007年，作品《金秋田园》、《棕乡情•版纳》中国当代实力派国家提名展获优秀奖，并收藏于中国美术家协会厦门创作中心。

　　2008年，作品《老塘秋色》、《秋韵》参加中国国画大展入选。

　　2008年，作品《艳阳天》参加中国美术家协会厦门美术家协会厦门创作中心提名展获优秀奖。

　　2008年，作品《黄落山川知秋晚》参加十七大精神放光芒全国书画展，荣获一等奖。

　　2008年，在新加坡、马来西亚、泰国巡展。

　　2008年，分别与俄罗斯、韩国画家举办联展，并应邀参加了马来西亚艺术交流展，多幅作品被重要机构收藏。

　　2009年6月，多幅作品在日本东京美术馆展出。

　　2009年10月，参加了韩中国际美术交流展。

　　2010年，中国文化产业创新与国家战略发展高层论坛暨中国当代名家作品展，作品《荷风》荣获中国当代名家作品展银奖。

　　2010年，《飞来秀色落乾坤》参加上海世博会赢取世博城市之星专题活动，作品编入《百年世博千年圣火全国著名国画家作品集》。

　　2010年，为上海世博会尼泊尔国家馆创作国画精品，出版大型画集，并捐赠作品一幅。

　　2010年，多幅作品参加了东南亚巡展，并被各国重要机构收藏。

　　2010年，山水画作品《江山如此多娇》被法国领事馆收藏。

　　2011年，清华美院高研班创作集体作品展《珠穆朗玛之魂》《冰山颂》获奖。

　　2012年4月，参加了中国美协主办的中美艺术家作品交流交流展。

　　2012年10月，担任《2012年百名中国工笔画家提名展优秀作品集》主编。

　　2013年10月，参加《欧洲艺术交流活动》。

　　2013年11月，在北京德泰画院举办个人艺术展览。

　　2013年8月，出版“科学发展，建设美丽中国(beautiful China)”主题《中国邮册》(China Stamp Album)

　　2014年4月，出版《中国传世名家名作专题邮票》( Chinese ancient masterpieces of famous special stamps)

　　Chen Hong Biographical Sketch:

　　Chen Hong, born in Yili, Xinjiang, graduated from the Chinese Painting Department of Xinjiang Arts University and the Chinese Painting Department of Xi'an Academy of Fine Arts successively; Chen completed her advanced postgraduate education at the Chinese Artists Association and the elite training session of Zhou Shaohua studio under the China National Art Academy of Painting respectively in 2007 and 2008. Now she is member of the Chinese Artists Association and Deputy Secretary-General of the Institute of Chinese Landscape Painting.

　　2003: Golden Autumn won the Award of Excellence in the third Huabiao Competition of Chinese Painting and Calligraphy;

　　2003: Red Cherry won the Silver medal in the Chinese Painting Exhibition in Macau;

　　2004: Early Spring won the Silver Award in the Art Exhibition to commemorate the 100th anniversary of Deng Xiaoping;

　　2006: Autumn of the Homeland was presented at the 2006 National Chinese Painting Exhibition;

　　2006: Golden Autumn was presented at the National Chinese Painting Exhibition to commemorate the 100th anniversary of the Chinese art master Li Kuchan;

　　2007: Rhyme of Autumn won the Excellence Award in the National Chinese Painting Exhibition;

　　2007: I Say Autumn Is Better Than Spring won the Excellence Award of the advanced postgraduate class at the Chinese Artists Association, published in the Art magazine (Issue No. 9);

　　2007: Fruits and Vegetables of My Hometown was selected for the National Exhibition of Meticulous Deep-color Painting;

　　2007: Prospect was selected for the First National Line Drawing Exhibition of Chinese Painting;

　　2007: Autumn Pastoral and Nostalgia of Xishuangbanna won the Excellence Award of the Nominated Contemporary Chinese Artists Exhibition and joined the collections at the Xiamen Creation Center under the China Artists Association;

　　2008: An Old Pond in Autumn and Rhyme of Autumn were selected for the Chinese Painting Expo of China;

　　2008: A Sunny Day won the Excellence Award of the Nominated Works Exhibition at the Xiamen Creation Center under the China Artists Association;

　　2008: Mountains and Rivers with Yellow Leaves in Late Autumn won the first prize in the national painting and calligraphy exhibition to celebrate the 17th CPC National Congress;

　　2008: Tour exhibition in Singapore, Malaysia and Thailand;

　　2008: Joint exhibition respectively with painters from Russia and South Korea, and invited to attend the Malaysian Art Exchange Exhibition, with several works kept by influential institutions;

　　June 2009: several works presented in the Art Museum of Tokyo, Japan;

　　October 2009: attended the Korea-China International Art Exchange Exhibition;

　　2010: at the China Development Forum on Innovation in the Cultural Industry and the National Strategy, and at the Masterpiece Exhibition of Famous Contemporary Artists, Lotus Wind won the Silver Medal;

　　2010: Heavenly Beauty Falling to the Land was selected for the special event of the World Expo City Star for the Shanghai World Expo and incorporated into the Portfolio of Famous Chinese Painters in Memory of the Centennial Expo and the Millennium Torch;

　　2010: creation of Chinese painting for the Nepal Pavilion for Shanghai World Expo, with the collections published and one of the works donated;

　　2010: Several works were presented at the tour exhibition across Southeast Asia and kept by influential institutions;

　　2010: landscape painting This Land Is So Rich and Beautiful was kept by the French Consulate;

　　2011: Soul of Mount Everest and Ode to the Icy Mountain won an award at the collective exhibition of the advanced postgraduate class of the Academy of Art Design, Tsinghua University;

　　April 2012: attended the Sino-US Artists Exchange Exhibition sponsored by the Chinese Artists Association;

　　October 2012: as chief editor of the Collections of the Exhibition of Outstanding Works by100 Nominated Chinese Meticulous Painters;

　　October 2013: participated in the European Art Exchange Initiative;

　　November 2013: solo art exhibition at the Beijing Detai Painting Academy;

　　August 2013: published The China Stamp Album, with the theme of “Building a Beautiful China through Scientific Development”;

　　April 2014: published The Special Stamps of Masterpieces of Famous Ancient Chinese Artists.

　　格 高 创 新 意

　　—品陈虹山水画

　　作为西部山水画家, 陈虹十多年来不畏艰辛，以一个西部女子独有的热忱和执着行走于山水、漠野之间，体验生活、感悟生命。是西域的山川大漠赋予了她大气魄、大境界的美感追求，她创造的冰山山水画，具有一套完善的笔墨语言和成熟的技巧，充分体现了她的个性化风格和对人生的自然理解与感悟，因而成为一种具有现代意识与浩然风范、介于意象与抽象之间的现代山水画。她以粗犷、奔放、雄浑、博大的气势、以她对冰山的理解和自然景观的深刻感悟，为西域的地貌山川注入了令人深刻的人文内涵和时代精神，用自己独特的绘画语言书写出她对西域冰山、南疆红岩、荒漠、驼队、胡杨、风雪的诗意感受。

　　作为一个立足传统犹在不断开拓求新求变的画家，陈虹女士在对传统充分理解和继承的基础上力求延续拓宽，她以经典的山水范式为参照，对新的表现语言和外来艺术兼收并蓄，闯出了一条颇具新意的山水画之路。她食古但不守旧，追心但不盲从。她善于以超时空的画面构成方式凝聚天地之灵气，以黑白红的强烈对比和冷暖色调的完美结合表现了自然的伟大。她擅长画大幅作品，以大场面、大容量、大气势慑人心魄，画面浑厚，内涵丰富，独特的笔墨语言与图式符号传达着画家的匠心独运和深思熟虑，显示出了鲜明的艺术特色和个人情怀。

　　陈虹女士的作品在图示与构成上直承北派山水画遗规，其画面中险峻的冰山、苍茫的高原与浩瀚的荒漠意向相融，交叠错落，构成净收眼底的宏大景观，同时，她又吸收南派山水画的灵动之气，将冰山、大川、荒漠、牧民、驼队、胡杨等诸多元素巧妙组合在一起，使画面拥有了浑厚的空间和浩然的气势，展示出豪放与雄健的大气魄。在笔墨语言上，画家对传统山水的笔墨进行吸纳与改造，在遒劲着力的皴擦之中，又融入了水墨和色彩的点染、冲染、晕染、烘染，进而使自然景色转化为灵性的笔墨表达，情感的流动与磅礴的表达笔势挥洒而出，充溢着生命的激情和人文的关怀。在艺术取向上，她自觉地把绘画作为一种表现手段融入当代的文化语境，注重吸纳中国传统艺术精髓，同时在表现上又富于时代性和现代感。面对陈虹的作品，雄浑气韵扑面而来，让我们领略了天地的性灵与激情，仿佛触摸到了画家超然于红尘之外坚韧不拔的风骨和博大的胸襟。是天山净化了她的灵魂，是上天赐予了她智慧，愿她的艺术之花盛开得更为灿烂辉煌。

　　湖北省文联主席 周韶华

　　二〇一二年十月

　　Creativity Out of Personality

　　——A glimpse of Chen Hong’s landscape painting

　　As a painter of western China’s landscape, Chen Hong, born with the enthusiasm and dedication unique to the people living in western China, has traveled across the mountains, rivers, deserts and fields over a dozen of years to meditate on life, which has endowed her with vision and insight in her aesthetic pursuit. The works of icy mountains created by Chen incorporate mature skills in a well-established painting style, fully embodying her personality, sentiment and understanding of life, and thus making her unique landscape paintings characterized by both modernity and grandeur, both imagery and abstraction. Her rough, bold, powerful and magnificent brushwork, enriched by her deep understanding and perception of the natural landscape, especially icy mountains, has internalized profound culture and spirit of the times into the landscape of western China. With her own unique artistic language, she poured forth her poetical feelings about icy mountains, red rocks, deserts, caravans, poplars, snow and wind in southern Xinjiang.

　　As a painter striving for creativity yet backed by tradition, Ms. Chen Hong seeks extension on the basis of her thorough understanding of the art heritage, taking the classic landscape paradigm as a reference and converging new expressions with foreign art styles to blaze a new path of landscape painting, which is highly innovative. She draws on classics but never behaves conservatively, following her heart instead of blindly chasing the fashion. Chen has a good way of configuration for cohesion of the universe, stressing the great manifestations of nature with a strong contrast between black and white and red, as well as a perfect combination of cold and warm tones. She is good at drawing large-sized pieces, where big scenes and rich connotations create a breathtaking momentum. In this way, a featured language of figures and symbols take form to convey the artist's imaginative and deep thought, showing distinctive artistic characteristics and personal feelings.

　　Chen's work carries on the legacy of the Northern Chinese landscape painting style in terms of technique of expression, where steep icy mountains, vast plateau and desert get blended and scattered, overlapping to constitute grand landscape. Meanwhile, she draws from the Southern Chinese landscape painting style to create elegance, with mountains, rivers, deserts, nomads, caravans, poplars and many other elements smartly interwoven so that her paintings turn out to be bold, vigorous and awe-inspiring. In terms of artistic language, Chen assimilates and transforms the brushwork of traditional landscape paintings, and adds new skills to the conventional ones, thereby expressing spirituality of the natural beauty effortlessly through emotional flows and majestic gestures filled with passion and care for humanity. In respect of artistic orientation, she consciously uses painting as a means of expression converged with the contemporary cultural context, growing on the essence of traditional Chinese art while keeping abreast with the times. Standing in front of Chen's work, you will perceive its spectacular manner and appreciate the spirit and passion of heaven and earth as if to touch the artist’s tough character and broad mind. Her Tianshan-purified soul and God-given wisdom will accompany this artist to bloom and blossom with even more brilliance.

　　Zhou Shaohua, Chairman of the Hubei Federation of Literary and Art Circles

　　October 2012

冰山的呼唤 尺寸：138x68cm

风雪古楼兰 尺寸：68x68cm

风雪帕米尔 尺寸：68x68cm

瞭望 尺寸：68x68cm

秋染天山红

秋韵  尺寸：145x198cm

泉水山间水环树  尺寸：198x97cm

塞外

盛夏  尺寸：198x97cm

天山红枫

天山瑞雪